10.0 其它 · 2017 · 其它 · 剧情片
欧嘉·博拉茨,彼得·波拉克,塞巴斯蒂安·斯坦齐维兹,海伦娜·诺罗维茨,沃伊切赫·杰林斯基,巴特洛米耶·菲莱特,Bartosz,Cao,Anna,Konieczna,阿加塔·布泽克,阿尔卡迪乌什·雅库比克,博格丹·科卡,Roma,Kox,巴托斯·比莱尼亚,Bartosz,Adamczyk,Kamil,Tolinski,莫迪斯特·鲁辛斯基,Marcin,Sitek,Wojciech,Michalak,
2030是个智能的时代，每个人身上都被植入了智能芯片。男主角克日什托夫曾是天才级教授工程师最亲来的助理，却在被植入智能芯片后失去了部分记忆，以新的身份“亚当”在一幢办公室里担任清洁工。有一天，他发现一个陈旧的电视机，这就是所谓的“魔术盒”，这将他与一位叫戈里娅的女人联系起来……
9.0 其它 · 2016 · 其它 · 剧情片
Jella,Haase,Saskia,Rosendahl,Ludwig,Trepte,Frederik,G?tz,Amelie,Kiefer,Maria,Sumner
本片讲述了在离开家乡多年后，25岁的丹尼因父亲的意外去世而回到了自己童年的家。开始他受不了这个穷乡僻壤的寂寞和无聊，但慢慢地，他才发现这个养育他长大的地方是一片乐土，他也重新赢得了童年时期青梅竹马的苏苏的心。但为了找到他生活的意义，丹尼还是不得不面对多年前让他离开家乡的真正原因。 回乡的自我救赎是本片亮点，在温情的描绘中道出了男主深埋于心底的秘密。影片节奏轻快紧凑，幽默又温情，特别适合年轻观众以及全家观看。 卖点：集聚德国新生代小鲜肉和美少女的青春片。
7.0 其它 · 2018 · 其它 · 剧情片
Eugen,Grigoriev,Sofia,Halaimova,Vadym,Kovaliov,Aelita,Nazarenko,Petro,Pastuhov,Anastasiia,Pustovit,Maksym,Samchik,Alla,Samoilenko,Mariia,Svizhynska,Maria,Trepikova
The story of a five year old little rebellious girl Vitka with her teenage cousin Larysa and her boyfriend, the young criminal Scar unfolds in a Ukrainian provincial setting. Larysa finds herself at a crossroads after the death of her father. Yearning to be self made, the village community ostracizes her for loving Scar. Larysa discovers her grandmother once sacrificed her love for a young gypsy abandoning him for traditional values and other people's opinions. Larysa's mother is too psychologically weak to support her daughter. Larysa and Scar plan to escape from a life of crime, misery and their relatives. But are they ready to pay the full price for freedom
9.0 其它 · 2010 · 其它 · 剧情片
莉莉·莫罗利,凯内尔·穆德卢佐,米克洛什·B·塞凯伊,迪亚·麦格唐娜·凯斯,卡塔·韦伯,山大·特赫斯,鲁道夫·弗赖奇卡,Kitty,Csíkos,Natasa,Stork,ági,Margittay
卢迪（凯内尔·穆德卢佐 Kornél Mundruczó 饰）从小就成长在孤儿院中，他刚一出生就被父母无情的抛弃了，从来都没有感受过亲情的滋味。17岁时，对父母的思念在卢迪的内心里愈演愈烈，他决定动身去寻找他们的踪迹。但很快，残酷的现实就让卢迪知道，他的存在对于他的亲人们来说或许并非一件好事。 一次偶然中，卢迪得到了一次试镜的机会。导演被卢迪身上所散发出来的阴郁气质深深的吸引了，认为他就是扮演自己电影里角色的不二人选。可是造化弄人，导演并不知道，眼前的这个年轻人，正是他早些年间抛弃的儿子。
6.0 法语 · 1988 · 加拿大 · 剧情片
Monique,Spaziani,Gabriel,Arcand,Miou-Miou
Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. ? Awkward Pierre Blaudell is her biggest fan and eventually marries her. ? Shortly after this she bears his son, Pierre, who joins the army. ? She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. ? Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. ? She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. ? Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. ? Intrigued, Antoine heads to the Big Apple in hopes of finding her. This movie is an emotional drama about how Antoine, played beautifully by Fran?ois Méthé, discovers the details of his heritage. ? This film won many awards in Canada and at Cannes in 1988. ? Fran?ois Méthé, who was about 11-years-old, never acted again after this movie. From IMDb A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. ? He believes she abandoned him to his wealthy, paternal grandparents. ? The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. ? As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
10.0 英语 · 2017 · 加拿大 · 剧情片
金伯利·苏·莫里,阿雅·卡什,梅兰妮·尼科尔斯-金,亚伦·普尔,Sara,Waisglass,金·罗伯特,约翰·拉尔斯顿,Taylor,David,洁斯·萨尔圭罗,Michael,Kaplan,Marni,Van,Dyk,Emma,Hunter,Jesse,LaVercombe,Bruce,Novakowski,凯伦·伊万尼
玛丽是一名滥用药物的咨询师，酗酒成性。她酒驾被抓，不得不接受父亲的邀请到尼亚加拉瀑布附近的家里与他同住。后来，玛丽渐渐发现父亲有很多事情瞒着她，玛丽还有个妹妹，却压根也不知道她的存在。这部影片有着清新、智慧的视角，既幽默又动人，是莫莉·麦格林第一次执导的作品。
5.0 英语 · 2012 · 美国 · 剧情片
德丽·海明威,贝塞德卡·约翰森,布尼,斯黛拉·麦薇,詹姆斯·兰索恩,卡伦·卡拉古利安,米奇·奥黑根,佐伊·沃斯,戴夫·比恩,埃利泽·奥尔蒂斯,帕特里克·康宁翰,克里斯·贝格齐,曼努埃尔·费拉拉,阿莎·阿基拉,Asa,Akira,阿明·约瑟夫,朱勒·乔丹,克里斯蒂娜·罗丝,詹姆斯·弗雷,库尔特·莱特纳,乔什·苏斯曼,卡琪·斯塔尔,莉莉·拉贝欧,Lily,Labeau
简（德丽·海明威 Dree Hemingway 饰）是一名二十一岁的妙龄少女，心中怀揣着成为演员的梦想，她来到了位于加州的圣费尔南多谷。可是，成为演员哪里是这么简单的事？没过多久，简便和大多数来此打拼的女孩一样，默默无名并且身无分文。在简的生活圈里来往的，大多数是不靠谱的朋友们，而其中最值得信赖的，竟然是她那只名叫斯嘉丽的吉娃娃狗。 在老太太桑迪（贝塞德卡·约翰森 Besedka Johnson 饰）家举办的跳蚤市场上，简偶然发现了一个塞着一大捆钞票的老古董，这巨额的财产让囊中羞涩的简无法不在意，她打起了这笔巨款的主意，为此她开始特意的接近桑迪。没想到，简的这一举动彻底的改变了她的生活。
10.0 法语 · 1991 · 法国 · 剧情片
埃迪·康斯坦丁,汉斯·齐施勒,克劳迪亚·米歇尔森,Nathalie,Kadem,安德烈·S·拉巴尔特,Robert,Wittmers,Kim,Kashkashian,Anton,Mossine,Heinz,Przbylski,Kerstin,Boos,H.J.,Jurgen,Uwe,Grzechowski,Jochen,Gliscinsky,Iva,Svarcová,Elfi,G?bel
Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
5.0 英语 · 2020 · 其它 · 剧情片
Eimutis,Kvosciauskas,杜嘉克·伊迪兹,达里娅·叶卡马索娃,Denisas,Kolomyckis,Danilas,Pavilionis,Neringa,Bulotaite,艾斯特·蒂奇,Naglis,Bierancas,Simonas,Mozura,Clotilde,Rigaud,Aiste,Gramantaite,Jelena,Stupljanin
影片讲述两个男人之间复杂的情感故事，gay社团律师马吕斯(Eimutis Kvosciauskas饰)的生活一直在流逝，他整日都在与朋友玩乐、追逐年轻的恋人。而当马吕斯疏远已久的父亲去世。马吕斯发现他与一名困在塞尔维亚贝尔格莱德的叙利亚难民、性工作者阿里(Do?a? Y?ld?z饰)有着意想不到的联系，哀悼也悄然间转变为了爱情。
5.0 韩语 · 1949 · 韩国 · 剧情片
Choi,Eun-Hee,Byeon,Ki-Jong,Yoo,Min,Kim,Seon-Young,Seok,Keum-Seong,Nam,Seung-Min
Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
9.0 其它 · 2019 · 俄罗斯 · 剧情片
茵格保加·达坤耐特,帕维尔·普里卢茨内,马克西姆·马特维耶夫,尤里·鲍里索夫,亚历山大·多莫加罗夫,基里尔·扎耶采夫,谢尔盖·科尔塔科夫,维塔利·基什琴科,安东·沙金,阿尔乔姆·特卡琴科,列昂尼德·比切文,Ivan,Yankovskiy,亚历山大·奥斯特犹科夫,玛尔塔·蒂莫菲娃,佩塔尔·泽卡维卡,阿列克塞·古斯科夫,伊戈尔·别特连科,拉里莎·马莱万纳亚,亚历山大·拉扎列夫,埃菲姆·彼得鲁宁,伊万·
救国同盟是一部俄罗斯历史片，讲述了十二月党人起义的故事。一群参加了俄法1812年战争的军人，梦想改变俄罗斯帝国，试图推翻沙皇专制。
6.0 其它 · 2008 · 其它 · 剧情片
Letekidan,Micael,Solomie,Micael,Seble,Tilahun
《心火》(Feuerherz)德国奥地利 导演：路易吉-法洛尼(Luigi Falorni) 主演：Letekidan Micael 影片介绍：改编自德国著名歌手森娜特-梅哈瑞(Senait Mehari)的畅销书，讲述了一个德国女兵在非洲厄立特里亚内战中寻求生存的故事，这部作品也可以看作是森娜特-梅哈瑞的半自传，透过这本自传，人们对这位巨星的人生可以有更多的了解，可以一窥她一直不愿意回首的过去是怎样的。这是森娜特第一次直接面对她在非洲的童年往事。而导演也将继续延续自己上一部作品的纪录片风格。 导演介绍：路易吉-法洛尼(Luigi Falorni)1971年生于意大利佛罗伦萨，曾在慕尼黑电影学院攻读电影。他的上一部作品《骆驼骆驼不要哭》(The Story of The Weeping Camel)荣获2004捷克卡罗维法利国际影展观众票选最佳影片、巴伐利亚电影奖、旧金山FIPRESCI奖等多项国际奖以及2005年奥斯卡提名。wine文
6.0 英语 · 2025 · 意大利 · 动作片
乔什·杜哈明,格雷戈·金尼尔,迈克尔·帕帕约翰,玛丽亚·埃莉萨·卡马戈,大卫·理柏,安娜·戈尔佳,塔利亚·亚瑟拉夫,Ricky Russert,乔·布卡罗三世,保罗·辛普森,Michael Zapesotsky,Kipp Tribble,Calvin Williams,Daniel Farag,特雷梅恩·科尔,Stephen Thaxton,Anna Golja,Maddox Alexander
Guy is a brilliant scientist. He spent most of his life trying to create an energy source that can provide an expensive clean energy to poverty stricken countries across the world. That was until his employers attempted to take his break through discovery and Weaponized it. Instead of letting that happen guy decided to take his research and disappear - Off the Grid, having to c...
10.0 其它 · 1929 · 其它 · 剧情片
Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
10.0 其它 · 1929 · 其它 · 剧情片
Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
6.0 其它 · 2012 · 其它 · 剧情片
皮鲁·埃斯贝克,索伦·莫灵,达尔·萨利姆,罗兰·默勒,Gary,Skjoldmose,Porter,Abdihakin,Asgar
一群索马利亚海盗劫持了丹麦货船“罗森号”，船只航行在印度洋上，天气很好，海盗有恃无恐，时间宝贵是西方的概念，他们只在乎赎金。“罗森号”所属的总公司CEO是商场谈判高手，决定亲上火线和海盗周旋，他唯一被要求的重点就是保持冷静。问题是，世上没有一家航运学校曾教过学生如何对付海盗，冷静在燠热的船舱是不被考虑的选项。电影通过两条线索展开，一条围绕着船上的厨师米克尔，另一条围绕着在丹麦的公司办公室里与海盗进行谈判的CEO彼得。